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	<title>Comments on: Unplugged 2: Roger Bolton (Coremelt)</title>
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	<link>http://www.motionworks.com.au/2009/07/unplugged-2-coremelt/</link>
	<description>Motion Graphics with John Dickinson</description>
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		<title>By: Motionworks &#124; CTRL-Z : Undo please...</title>
		<link>http://www.motionworks.com.au/2009/07/unplugged-2-coremelt/comment-page-1/#comment-12283</link>
		<dc:creator>Motionworks &#124; CTRL-Z : Undo please...</dc:creator>
		<pubDate>Fri, 11 Sep 2009 04:11:13 +0000</pubDate>
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		<description>[...] Roger Bolton de Coremelt. [...]</description>
		<content:encoded><![CDATA[<p>[...] Roger Bolton de Coremelt. [...]</p>
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		<title>By: Single Maria</title>
		<link>http://www.motionworks.com.au/2009/07/unplugged-2-coremelt/comment-page-1/#comment-9552</link>
		<dc:creator>Single Maria</dc:creator>
		<pubDate>Thu, 30 Jul 2009 21:36:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.motionworks.com.au/?p=4296#comment-9552</guid>
		<description>Thanks for the post. I do a lot of the color grading, so the Pigment and Luminous filters had the most appeal to me. Like many of the newer advanced filters, CoreMelt departs from the standard FCP slider parameters to add its own custom GUI in the filter control pane. If you get lost in how an effect should work, click on the CoreMelt logo and a PDF manual opens in Preview to walk you through the steps. You can pick between the standard or custom interface. Custom uses certain range-based sliders that are helpful in some of the color correction adjustments. So, I like it all!!!</description>
		<content:encoded><![CDATA[<p>Thanks for the post. I do a lot of the color grading, so the Pigment and Luminous filters had the most appeal to me. Like many of the newer advanced filters, CoreMelt departs from the standard FCP slider parameters to add its own custom GUI in the filter control pane. If you get lost in how an effect should work, click on the CoreMelt logo and a PDF manual opens in Preview to walk you through the steps. You can pick between the standard or custom interface. Custom uses certain range-based sliders that are helpful in some of the color correction adjustments. So, I like it all!!!</p>
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		<title>By: Jonathan</title>
		<link>http://www.motionworks.com.au/2009/07/unplugged-2-coremelt/comment-page-1/#comment-9472</link>
		<dc:creator>Jonathan</dc:creator>
		<pubDate>Wed, 29 Jul 2009 04:33:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.motionworks.com.au/?p=4296#comment-9472</guid>
		<description>shame they are only mac plug-ins...</description>
		<content:encoded><![CDATA[<p>shame they are only mac plug-ins&#8230;</p>
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		<title>By: Benjamin Eshagpoor</title>
		<link>http://www.motionworks.com.au/2009/07/unplugged-2-coremelt/comment-page-1/#comment-9452</link>
		<dc:creator>Benjamin Eshagpoor</dc:creator>
		<pubDate>Tue, 28 Jul 2009 22:19:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.motionworks.com.au/?p=4296#comment-9452</guid>
		<description>I use the Coremelt plugins in Final Cut, and I LOVE them! I know they also work inside AE, but I find myself using my more familiar plugins.</description>
		<content:encoded><![CDATA[<p>I use the Coremelt plugins in Final Cut, and I LOVE them! I know they also work inside AE, but I find myself using my more familiar plugins.</p>
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