Iron Man 2 is almost here. Check out this teaser poster and stills.

Entries for the challenge are still rolling in. Thanks to everyone so far for your fantastic efforts, it’s terrific to see such a range of styles from around the world. Entries are due by December 1st but if you need a few more days that’s okay too, just let me know. Read more…

Here are some more great entries. Click the images below to watch the movies, and remember to get your entry in by December 1st for the chance to have your work featured in Unplugged and tell the world about yourself on the show! Thanks for all of your hard works so far everyone. Read more…

In this two part tutorial learn how to use Zaxwerks 3D Flag and ProAnimator to create simple yet stylish broadcast promo graphics. In this part we cover using solids and masks to create the banner, combining shapes with the Blend operator and using 3D Flag on multiple layers with different pre run settings. Read more…

The first of the Unplugged Titles challenge entries have begun to trickle in. Click the images below to watch the movies, and remember to get your entry in by December 1st for the chance to have your work featured in Unplugged and tell the world about yourself on the show! Great work so far guys! Read more…

Chris Roe has just released the handy Expression Toolbox script for After Effects.

In this Adobe After Effects: Effects A-Z tip, special guest host Eran Stern demonstrates Bulge.

Watch tip (6mins, 12MB)

In this episode of Unplugged, Harry Frank of Graymachine discusses how he went from “button-pushing” audio engineer to accomplished motion design artist, and shares his belief that, with enough determination and time, anyone can learn to design. We talk about the tough times being faced by many in our industry right now and, on the lighter side, Harry gives Read more…

A fancy disco ball created entirely within Adobe After Effects. Read more & download project

Harry Frank of Graymachine has started up The Motion Exchange, a new site dedicated to linking up motion designers and clients.

Digital Juice has announced Compositor’s Toolkit 2. The library looks good and the pre-order price is 60% off (first 500 orders).

Video Copilot has released a handy new, free, Reflect plug-in for Adobe After Effects.

Generally, when creating a boxing promo, we are given between two and five days. This project was different, or at least appeared to be different at first. My colleague Brett Morris and I, were given two weeks to design and produce a promo for the upcoming Green V Jones Jr fight here in Sydney. However, after the first two days of work the deadline was cut Read more…

Red Giant Software has just release Holomatrix, a new plug-in for Adobe After Effects. Use the code “motionworks10″ for a 10% discount.

Maltaannon is back with a new tutorial on getting control of the Adobe After Effects camera.

Practicing Neurologist Howard Silby turns to After Effects

“Your website, training, tuts, and unplugged series are outstanding! After 40 years as a practicing neurologist I decided to learn video editing, mainly to begin to archive our family’s life for the benefit of our 5 grandchildren. So, at age 68, I started with the Cassablanca system which allowed me to ease into the skill, I soon found it limiting and decided, with great trepidation, to jump into after effects. So, I purchased total training 6.5, and since have purchased every Cow series, Meyer’s books, total training series thru 7.0, many of lynda.com dvd’s, as well as in/out monthly membership to lynda.com, and take all tuts from you, and messrs.Rabinowitz, Maltaannon, Kramer, Velez, Holmes, etc etc and purchasing almost all of their and your products.

Trying to get into after effects in 2003 would be like you deciding today that you wanted to be a neurologist: I thought “alpha” was a dominant male, “channel” was something that held water, “mask” something the Lone Ranger wore, “transparency” something that defined a shallow person, “matte” something you wiped your feet on, and “travelling” something you did when you retired. I just couldn’t wrap my brain around “layers” and “duplicating”, etc. It all seemed counterintutive to my medically trained brain. Being color blind didn’t/doesn’t help any! But all of you helped me get from After Effects Ground Zero to 0.005% above ground zero, where I now still labor tring to learn this stuff. It’s great fun, and now I mainly continue in order to keep my brain challenged and stave off Alzheimer’s Disease.

Many thanks to all of you who have helped me acieve my limited AE skills that have made my 74 year old artistic life happy and fulfilled. The free stuff is terrific, but the bought stuff even better, and the two complement each other. I use Adobe CS4 with every plug in known to man/woman even tho I use almost none of the special effects when I produce a video since I don’t want the FX to be the story. But just knowing I can do some of the stuff is all the reward I need. On rare occaisions I use FX just to have fun. If you want, here’s a link to some intro fx stuff I did last week.”

When it comes to influencing people, a confident approach is essential. This week we look at the three beliefs that are essential to maximizing your ability to sell with confidence. Read more…

In part two of this must-see interview with Chris & Trish Meyer, Chris and Trish talk about the transition from book to web publishing via the ProVideo Coalition, live presenting, the price of training and downside of free content on the web, getting inspiration away from the computer and balancing technical knowledge with design skills, plus plenty more. Read more…

Trish Meyer has granted Motionworks permission to post the Story of CoSA – the original company behind After Effects. Written by After Effects team member, Dave Simons, and originally published in Creating Motion Graphics Volume 3, it gives a wonderful insight into the early days of After Effects and the team behind it. Download PDF SFMoGraph Pics

What were you doing in 1993? Chris & Trish Meyer were pioneering the use of Adobe After Effect for motion graphics. In part 1 of this extended interview, Chris and Trish discuss the rewards and challenges of being some of the earliest adopters of After Effects, and how that lead to a full-time career presenting, teaching and authoring the popular books Read more…